Summers Montague - The History Of Witchcraft And Demonology (57.9 MB)
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My present work is the result of more than thirty years close attention to the subject of Witchcraft, and during this period I have made a systematic and intensive study of the older demonologists, as 1 am convinced that their first-hand evidence is of prime importance and value? whilst since their writings are very voluminous and of the last rarity they have universally been neglected, and are allowed to accumulate thick dust undisturbed. They are, moreover, often difficult to read owing to technicalities of phrase and voca... More >>>
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My present work is the result of more than thirty years close attention to the subject of Witchcraft, and during this period I have made a systematic and intensive study of the older demonologists, as 1 am convinced that their first-hand evidence is of prime importance and value? whilst since their writings are very voluminous and of the last rarity they have universally been neglected, and are allowed to accumulate thick dust undisturbed. They are, moreover, often difficult to read owing to technicalities of phrase and vocabulary*
Among the most authoritative 1 may cite a few names : Sprenger (Malleus Maleficarum) Guazzo Bartolomeo Spina, O.P. John Nider, O.P. Grilland Jerome Mengo Binsfeld Gerson Ulrich Molitor Basin Murncr Crespet Anania Henri Boguet Bodin Martin Dclrio, S.J. Pierre le Loyer Ludwig Elich Godclmann Nicolas Rerny Salerini Leonard Vair De Lancrc Alfonso de Castro Sebastian Michaelis, O.P* Sinistrari Perreaud Dom Calmct Sylvester Mazzolini, O.P. (Prierias), When we supplement these by fche judicial records and the legal codes we have an immense body of material In all that I have written 1 have gone to original sources, and it has been, my endeavour fairly to weigh and balance the evidence, to judge without heat or prejudice^ to give the facts and the comment upon them with candour, sincerity, and truth* At the same time I ana very well aware that several great scholars for whom I have the sincerest personal regard and whose attainments 1 view with a very profound respect will differ from me in many particulars. (Summers Montague)
Augustus Montague Summers (10 April 1880 - 10 August 1948) was an English author and clergyman. He is known primarily for his scholarly work on the English drama of the 17th century, as well as for his idiosyncratic studies on witches, vampires, and werewolves, in all of which he professed to believe. He was responsible for the first English translation, published in 1928, of the notorious 15th-century witch hunter's manual, the Malleus Maleficarum.
Summers worked for several years as an English and Latin teacher at various schools, including Brockley County School in south-east London, before adopting writing as his full-time employment. He was interested in the theatre of the seventeenth century, particularly that of the English Restoration, and edited the plays of Aphra Behn, John Dryden, William Congreve, among others. He was one of the founder members of The Phoenix, a society that performed those neglected works, and was elected a fellow of the Royal Society of Literature in 1916.
Montague Summers also produced important studies of the Gothic fiction genre and edited two collections of Gothic horror short stories, as well as an incomplete edition of two of the seven obscure Gothic novels, known as the Northanger Horrid Novels, mentioned by Jane Austen in her Gothic parody Northanger Abbey. He was instrumental in rediscovering those lost works, which some had supposed were an invention of Jane Austen herself. He also published biographies of writers Jane Austen and Ann Radcliffe.
Summers compiled three anthologies of supernatural stories, The Supernatural Omnibus, The Grimoire and other Supernatural Stories, and Victorian Ghost Stories. Summers has been described as "the major anthologist of supernatural and Gothic fiction" in the 1930s.
Summers' career as an ostensibly Catholic clergyman was highly unusual. He wrote works of hagiography on Saint Catherine of Siena and Saint Anthony Maria Zaccaria, but his primary religious interest was in the subject of the occult. While Aleister Crowley, with whom he was acquainted, adopted the persona of a modern-day witch, Summers played the part of the learned Catholic witch-hunter. In the introduction to his book on The History of Witchcraft and Demonology (1926) he writes:
In the following pages I have endeavoured to show the witch as she really was - an evil liver: a social pest and parasite: the devotee of a loathly and obscene creed: an adept at poisoning, blackmail, and other creeping crimes: a member of a powerful secret organisation inimical to Church and State: a blasphemer in word and deed, swaying the villagers by terror and superstition: a charlatan and a quack sometimes: a bawd: an abortionist: the dark counsellor of lewd court ladies and adulterous gallants: a minister to vice and inconceivable corruption, battening upon the filth and foulest passions of the age.
In 1928, he published the first English translation of Heinrich Kramer's and James Sprenger's Malleus Maleficarum ("The Hammer of Witches"), a 15th-century Latin text on the hunting of witches. In his introduction, Summers insists that the reality of witchcraft is an essential part of Catholic doctrine, and declares the Malleus to be an admirable and correct account of witchcraft and of the methods necessary to combat it. This should be contrasted with the vastly more sceptical and critical attitude of mainstream Catholic scholars, reflected for instance in the Rev. Herbert Thurston's article on "Witchcraft" for the Catholic Encyclopaedia of 1912, which labels the publication of the Malleus a "disastrous episode."
Montague Summers then turned to vampires, producing The Vampire: His Kith and Kin (1928) and The Vampire in Europe (1929), and later to werewolves with The Werewolf (1933). Summers' work on the occult is notorious for his unusual and old-fashioned writing style, his display of erudition, and his purported belief in the reality of the subjects he treats.
Summers cultivated his reputation for eccentricity. The Times of London wrote he was "in every way a 'character' and in some sort a throwback to the Middle Ages." His biographer, Brocard Sewell (writing under the pseudonym "Joseph Jerome"), paints the following portrait of Summers:
During the year 1927, the striking and somber figure of the Reverend Montague Sommers in black soutane and cloak, with buckled shoes--a la Louis Quatorze--and shovel hat could often have been seen entering or leaving the reading room of the British Museum, carrying a large black portfolio bearing on its side a white label, showing in blood-red capitals, the legend 'VAMPIRES'.
Despite his conservative religiosity, Summers was an active member of the British Society for the Study of Sex Psychology, to which he contributed an essay on the Marquis de Sade.
Montague Summers died at his home in Richmond, Surrey in August 1948. An autobiography The Galanty Show was published posthumously in 1980, though much is left unrevealed about his life. His grave in Richmond Cemetery was unmarked until the late 1980s, when Sandy Robertson and Edwin Pouncey organised the Summers Project to garner donations for a gravestone. It bears his favoured phrase "tell me strange things". Summers's manservant Hector Stuart-Forbes is buried in the same plot.
Montague Summers Works:
Books on the occult:
- The History of Witchcraft and Demonology, 1926
- The Geography of Witchcraft, 1927 (reprinted ISBN 0-7100-7617-7)
- The Vampire: His Kith and Kin, 1928 (reprinted by Senate in 1993 as simply The Vampire; reprinted with alternate title: Vampires and Vampirism ISBN 0-486-43996-8), edited by John Edgar Browning
- The Vampire in Europe, 1929 (reprinted ISBN 0-517-14989-3) (reprinted with alternate title: The Vampire in Lore and Legend ISBN 0-486-41942-8)
- The Werewolf, 1933 (reprinted with alternate title: The Werewolf in Lore and Legend ISBN 0-486-43090-1)
- A Popular History of Witchcraft, 1937
- Witchcraft and Black Magic, 1946 (reprinted ISBN 1-55888-840-3, ISBN 0-486-41125-7)
- The Physical Phenomena of Mysticism, 1947
Poetry and drama:
- Antinous and Other Poems, 1907
- William Henry (play), 1939
- Edward II (play), 1940
- The Grimoire and Other Supernatural Stories, 1936
- Supernatural Tales, 1947
- St. Catherine of Siena, 1903
- Lourdes, 1904
- A Great Mistress of Romance: Ann Radcliffe, 1917
- Jane Austen, 1919
- St. Antonio-Maria Zaccaria, 1919
- Architecture and the Gothic Novel, 1931
- The Restoration Theatre, 1934
- Essays in Petto 1933
- The Playhouse of Pepys, 1935
- The Gothic Quest: a History of the Gothic Novel 1938
- A Gothic Bibliography 1941 (copyright 1940)
As editor or translator:
- Works of Mrs. Aphra Behn, 1915
- Complete Works of Congreve, 1923
- Complete Works of Wycherley, 1924
- The Castle of Otranto by Horace Walpole, 1924
- The Complete Works of Thomas Shadwell, 1927
- Covent Garden Drollery, 1927
- Horrid Mysteries by the Marquis de Grosse 1927 (part of an incomplete edition of the Northanger Horrid Novels).
- The Necromancer; or, The Tale of the Black Forest by 'Ludwig Flammenberg' 1927 (part of an incomplete edition of the 'Northanger Horrid Novels').
- Demoniality by Ludovico Maria Sinistrari, 1927
- The Malleus Maleficarum of Heinrich Kramer and Jacob Sprenger, 1928
- The Discovery of Witches, 1928 by Matthew Hopkins (reprinted ISBN 0-404-18416-2)
- Compendium Maleficarum by Francesco Maria Guazzo, translated by E.A. Ashwin, 1929
- Demonolatry by Nicolas Remy, translated by E.A. Ashwin, 1930
- The Supernatural Omnibus, 1931 (reprinted ISBN 0-88356-037-2)
- Victorian Ghost Stories, 1936
- The Poems of Richard Barnfield, 1936
- The Complete Works of Thomas Otway, 1936