Howard Phillips Lovecraft - Cool Air (94.0 Kb)
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"Cool Air" is a short story by the American horror fiction writer H. P. Lovecraft, written in March 1926 and published in the March 1928 issue of Tales of Magic and Mystery.Lovecraft wrote "Cool Air" during his unhappy stay in New York City, during which he wrote three horror stories with a New York setting. In "Lovecraft's New York Exile", David E. Schultz cites the contrast Lovecraft felt between his apartment, crammed with relics of his beloved New England, and the immigrant neighbourhood of Red Hook in which he lived as ... More >>>Book can be downloaded, and can be ordered on CD.Note that, unfortunately, not all my books can be downloaded or ordered on CD due to the restrictions of copyright. However, most of the books on this site do not have copyright restrictions. If you find any copyright violation, please contact me at email@example.com. I am very attentive to the issue of copyright and try to avoid any violations, but on the other hand to help all fans of magic to get access to information.
"Cool Air" is a short story by the American horror fiction writer H. P. Lovecraft, written in March 1926 and published in the March 1928 issue of Tales of Magic and Mystery.
Lovecraft wrote "Cool Air" during his unhappy stay in New York City, during which he wrote three horror stories with a New York setting. In "Lovecraft's New York Exile", David E. Schultz cites the contrast Lovecraft felt between his apartment, crammed with relics of his beloved New England, and the immigrant neighbourhood of Red Hook in which he lived as an inspiration for the "unsettling juxtaposition of opposites" that characterizes the short story. Like the story's main character, Shultz suggests, Lovecraft, cut off from his native Providence, Rhode Island, felt himself to be just going through the motions of life.
The building that is the story's main setting is based on a townhouse at 317 West 14th Street where George Kirk, one of Lovecraft's few New York friends, lived briefly in 1925. The narrator's heart attack recalls that of another New York Lovecraft friend, Frank Belknap Long, who dropped out of New York University because of his heart condition. The narrator's phobia about cool air is reminiscent of Lovecraft himself, who was abnormally sensitive to cold.
Schultz indicates that "Cool Air"'s main literary source is Edgar Allan Poe's "The Facts in the Case of M. Valdemar", described as Lovecraft's favourite Poe story after "The Fall of the House of Usher". Lovecraft had just finished the Poe chapter of his survey "Supernatural Horror in Literature" at the time that he wrote the short story. Lovecraft, however, stated years later that the story that inspired "Cool Air" was Arthur Machen's "The Novel of the White Powder", another tale of bodily disintegration.
Howard Phillips Lovecraft (August 20, 1890 - March 15, 1937) was an American author of horror, fantasy, and science fiction, known then simply as weird fiction.
HP Lovecraft was one of the early exponents of horror fantasy, best known for the series of works known collectively as the Cthulhu Mythos. He peppered his books with references to an occult work called The Necronomicon, and, as his fame grew, he was besieged by readers asking where they could find a copy of it. But the truth was that Lovecraft had invented the book and its title. He wrote in a letter of 1937: 'The name Necronomicon (necros, corpse; nomos, law; eikon, image = An Image of the Law of the Dead) occurred to me in the course of a dream, although the etymology is perfectly sound.' So the title came before everything else, and substituted, perfectly reasonably, for the work itself.
This is a game that many writers have played, and the history of literature is full of references to books that don't, in fact, exist. Margaret Atwood, AS Byatt, Dorothy L Sayers, Frank Herbert, Martin Amis, Arthur Conan Doyle and many, many others have all joined in. Some of my favourite fictional titles are from Kurt Vonnegut, who, as Kilgore Trout, writes non-existent works such as The Barring-Gaffner of Bagnialto, or This Year's Masterpiece, which are usually accompanied by helpful plot summaries. Perhaps the most notorious fictional-book-inventors have been writers such as Umberto Eco and Jorge Luis Borges; naturally enough, since their writing often draws attention to literature as itself an artefact.
With the Necronomicon there was a difference, however. Other writers began to treat it as if it really did exist, quoting from the nonexistent work and even composing large sections of it; several Necronomicons were in fact later published, by hoaxers including L. Sprague De Camp and Colin Wilson.
Lovecraft's major inspiration and invention was cosmic horror, the idea that life is incomprehensible to human minds and that the universe is fundamentally alien. Those who genuinely reason, like his protagonists, gamble with sanity. Lovecraft has developed a cult following for his Cthulhu Mythos, a series of loosely interconnected fiction featuring a pantheon of human-nullifying entities, as well as the Necronomicon, a fictional grimoire of magical rites and forbidden lore. His works were deeply pessimistic and cynical, challenging the values of the Enlightenment, Romanticism, and Christian humanism. Lovecraft's protagonists usually achieve the mirror-opposite of traditional gnosis and mysticism by momentarily glimpsing the horror of ultimate reality.
Although Lovecraft's readership was limited during his life, his reputation has grown over the decades, and he is now commonly regarded as one of the most influential horror writers of the 20th century, who together with Edgar Allan Poe has exerted "an incalculable influence on succeeding generations of writers of horror fiction". Stephen King has called Lovecraft "the twentieth century's greatest practitioner of the classic horror tale.