Sylvester Wojtkowski - Wrestling With Azazel (807.0 Kb)
Book downloads: 35
To get magic book to you mailbox every week please subscribe to my mailing list, using form below
A Version of this paper has been presented at the Art and Psyche in the CityConference, NYC 7/12.WRESTLING WITH AZAZEL - JUNG AND MODERN ART, A CRITICAL APPRAISAL."I am only prejudiced against all forms of modern art. It is mostly morbid and evil." (C.G. Jung Letters volume 1, Letter to Esther Harding 7/8/47, p. 469.)Ever since I read this statement I was perplexed by Jung's vehemence. Writing two years after the catastrophe of WWII, with the understanding of evil as an autonomous substance (and not just a privatio boni), Ju... More >>>
Book can be downloaded.
Note that, unfortunately, not all my books can be downloaded or ordered on CD due to the restrictions of copyright. However, most of the books on this site do not have copyright restrictions. If you find any copyright violation, please contact me at [email protected]. I am very attentive to the issue of copyright and try to avoid any violations, but on the other hand to help all fans of magic to get access to information.
| Editors Rating | Sylvester Wojtkowski's Books List | |
| Community Rating |
A Version of this paper has been presented at the Art and Psyche in the City
Conference, NYC 7/12.
WRESTLING WITH AZAZEL - JUNG AND MODERN ART, A CRITICAL APPRAISAL.
"I am only prejudiced against all forms of modern art. It is mostly morbid and evil." (C.G. Jung Letters volume 1, Letter to Esther Harding 7/8/47, p. 469.)
Ever since I read this statement I was perplexed by Jung's vehemence. Writing two years after the catastrophe of WWII, with the understanding of evil as an autonomous substance (and not just a privatio boni), Jung piles morbidity and evil on modern art. Why such an intense reaction? This paper is my attempt at imagining an answer. (Sylvester Wojtkowski)
Conference, NYC 7/12.
WRESTLING WITH AZAZEL - JUNG AND MODERN ART, A CRITICAL APPRAISAL.
"I am only prejudiced against all forms of modern art. It is mostly morbid and evil." (C.G. Jung Letters volume 1, Letter to Esther Harding 7/8/47, p. 469.)
Ever since I read this statement I was perplexed by Jung's vehemence. Writing two years after the catastrophe of WWII, with the understanding of evil as an autonomous substance (and not just a privatio boni), Jung piles morbidity and evil on modern art. Why such an intense reaction? This paper is my attempt at imagining an answer. (Sylvester Wojtkowski)
