It is a well-known fact that Heathens and Pagans face considerable difficulties in Germany. Everything even remotely connected with Paganism in general and any reference to Teutonic culture or history in particular is instantly identified with an ultra-right-wing political attitude or even Neo-Nazism of the vilest sort. So, in spite of religious freedom being a part of the German constitution, Pagans and Heathens have to cope with severe social restrictions. Most choose to live "secret lives", taking care not be identified with their religion because they want to keep their jobs, have a chance applying for an apartment and walk

the streets without being mobbed and harassed. Others drift towards the fringes of society, where the real Neo-Nazi groups and the witchhunters of the extreme left, the so-called "Antifa", wait for them.

In the last years, the situation has improved mostly because of the activity of the Rabenclan (Raven Clan), an all-Pagan organization. Rabenclan cooperates with the Nornirs Aett, an Asatru group that initiated this project. The Ariosophy Project is dedicated to explore and explain the still existing and once (until the mid-nineties) dominating role of real right wing and fascist groups and ideologies in the German Pagan scene. The solving of this problem is evidently crucial, and

everybody who is not of their ilk of course agrees that racism, Nazism, authoritarian structures and totalitarian systems are an anathema to Paganism and Heathendom, which are, to make a very simple but important point, about freedom.

About Author:

"Anonymous" of course means "without a name" and is used when the author is not known--or sometimes, when a story develops out of an oral tradition over generations with possibly many storytellers contributing to and revising the tale before it is finally written down and becomes literature.

A notable amount of ancient and medieval literature is anonymous. This is not only due to the lack of documents from a period, but also due to an interpretation of the author's role that differs considerably from the romantic interpretation of the term in use today. Ancient and Medieval authors were often overawed by the classical writers and the Church Fathers and tended to re-tell and embellish stories they had heard or read rather than invent new stories. And even when they did, they often claimed to be handing down something from an auctor instead. From this point of view, the names of the individual authors seemed much less important, and therefore many important works were never attributed to any specific person.