Howard Phillips Lovecraft - The Quest of Iranon (85.0 Kb)
Book downloads: 17To get magic book to you mailbox every week please subscribe to my mailing list, using form below
"The Quest of Iranon" is a short story by H. P. Lovecraft. It was written on February 28, 1921, and was first published in the July/August 1935 issue of the magazine Galleon. It was later reprinted in Weird Tales in 1939.The story is about a golden-haired youth who wanders into the city of Teloth, telling tales of the great city of Aira, where he was prince. While Iranon enjoys singing and telling his tales of wonder, few appreciate it. When a disenfranchised boy named Romnod suggests leaving Teloth to go to the famed city o... More >>>Book can be downloaded, but can't be ordered on CD.Note that, unfortunately, not all my books can be downloaded or ordered on CD due to the restrictions of copyright. However, most of the books on this site do not have copyright restrictions. If you find any copyright violation, please contact me at firstname.lastname@example.org. I am very attentive to the issue of copyright and try to avoid any violations, but on the other hand to help all fans of magic to get access to information.
"The Quest of Iranon" is a short story by H. P. Lovecraft. It was written on February 28, 1921, and was first published in the July/August 1935 issue of the magazine Galleon. It was later reprinted in Weird Tales in 1939.
The story is about a golden-haired youth who wanders into the city of Teloth, telling tales of the great city of Aira, where he was prince. While Iranon enjoys singing and telling his tales of wonder, few appreciate it. When a disenfranchised boy named Romnod suggests leaving Teloth to go to the famed city of Oonai (which he thinks may be Aira, now under a different name), Iranon takes him up on his offer.
Iranon and Romnod spend years on their journey to Oonai. Along the way, Romnod grows up while Iranon remains exactly the same. Eventually they reach Oonai, which Iranon is disappointed to discover is not Aira. Iranon is loved by the people in Oonai, however, so he stays there even though he still desires to return to Aira. As the years pass, people appreciate him less and less, and he is eventually upstaged by dancers from the desert. By this point, Romnod has grown old and has become a drunkard. After Romnod's death, Iranon decides to leave Oonai and continue his search for Aira.
Eventually Iranon comes across an old shepherd and asks him if he knows of Aira. The shepherd tells him that he has indeed heard of it, for in his youth there was a beggar's boy who had always talked about it. The boy, who thought he was a prince, was laughed at by everyone and ran away.
With the truth revealed, that Aira was merely a figment of his imagination, Iranon loses his eternal youth. Now aged significantly, Iranon wanders into the quicksands to his death.
At one point Iranon says that he has "dwelt long in Olathoe in the land of Lomar", a reference to the setting of Lovecraft's short story "Polaris". This suggests that "The Quest of Iranon" takes place in the same world and era as "Polaris", that is, in a prehistoric Earth circa 24,000 B.C. . Iranon also declared "I...have gazed on the marsh where Sarnath once stood.", a reference to "The Doom that Came to Sarnath".
Howard Phillips Lovecraft (August 20, 1890 - March 15, 1937) was an American author of horror, fantasy, and science fiction, known then simply as weird fiction.
HP Lovecraft was one of the early exponents of horror fantasy, best known for the series of works known collectively as the Cthulhu Mythos. He peppered his books with references to an occult work called The Necronomicon, and, as his fame grew, he was besieged by readers asking where they could find a copy of it. But the truth was that Lovecraft had invented the book and its title. He wrote in a letter of 1937: 'The name Necronomicon (necros, corpse; nomos, law; eikon, image = An Image of the Law of the Dead) occurred to me in the course of a dream, although the etymology is perfectly sound.' So the title came before everything else, and substituted, perfectly reasonably, for the work itself.
This is a game that many writers have played, and the history of literature is full of references to books that don't, in fact, exist. Margaret Atwood, AS Byatt, Dorothy L Sayers, Frank Herbert, Martin Amis, Arthur Conan Doyle and many, many others have all joined in. Some of my favourite fictional titles are from Kurt Vonnegut, who, as Kilgore Trout, writes non-existent works such as The Barring-Gaffner of Bagnialto, or This Year's Masterpiece, which are usually accompanied by helpful plot summaries. Perhaps the most notorious fictional-book-inventors have been writers such as Umberto Eco and Jorge Luis Borges; naturally enough, since their writing often draws attention to literature as itself an artefact.
With the Necronomicon there was a difference, however. Other writers began to treat it as if it really did exist, quoting from the nonexistent work and even composing large sections of it; several Necronomicons were in fact later published, by hoaxers including L. Sprague De Camp and Colin Wilson.
Lovecraft's major inspiration and invention was cosmic horror, the idea that life is incomprehensible to human minds and that the universe is fundamentally alien. Those who genuinely reason, like his protagonists, gamble with sanity. Lovecraft has developed a cult following for his Cthulhu Mythos, a series of loosely interconnected fiction featuring a pantheon of human-nullifying entities, as well as the Necronomicon, a fictional grimoire of magical rites and forbidden lore. His works were deeply pessimistic and cynical, challenging the values of the Enlightenment, Romanticism, and Christian humanism. Lovecraft's protagonists usually achieve the mirror-opposite of traditional gnosis and mysticism by momentarily glimpsing the horror of ultimate reality.
Although Lovecraft's readership was limited during his life, his reputation has grown over the decades, and he is now commonly regarded as one of the most influential horror writers of the 20th century, who together with Edgar Allan Poe has exerted "an incalculable influence on succeeding generations of writers of horror fiction". Stephen King has called Lovecraft "the twentieth century's greatest practitioner of the classic horror tale.