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Anonymous - Rituals Of The Societas Rosicrucianis In Anglia (106.0 Kb)
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THE Societas Rosicrucianis in Anglia (or "SRIA") i.e. The Rosicrucian Society of England, was founded in 1866 by Robert Wentworth Little, who had apparently previously attained high rank in a Scottish Rosicrucian order: it was this Order which he claimed granted him a charter to open an English version.The SRIA attracted the membership of a number of talented men in Rosicrucian circles of the 19th Century, including: Frederick Hockley, the crystal?gazer Kenneth Mackenzie, compiler of "The Royal Masonic Cyclopaedia" - and... More >>>Book can be downloaded, and can be ordered on CD.Note that, unfortunately, not all my books can be downloaded or ordered on CD due to the restrictions of copyright. However, most of the books on this site do not have copyright restrictions. If you find any copyright violation, please contact me at firstname.lastname@example.org. I am very attentive to the issue of copyright and try to avoid any violations, but on the other hand to help all fans of magic to get access to information.
THE Societas Rosicrucianis in Anglia (or "SRIA") i.e. The Rosicrucian Society of England, was founded in 1866 by Robert Wentworth Little, who had apparently previously attained high rank in a Scottish Rosicrucian order: it was this Order which he claimed granted him a charter to open an English version.
The SRIA attracted the membership of a number of talented men in Rosicrucian circles of the 19th Century, including: Frederick Hockley, the crystal?gazer Kenneth Mackenzie, compiler of "The Royal Masonic Cyclopaedia" - and the three founder members of the Hermetic Order of the Golden Dawn, William Woodman, W. Wynn Westcott, and Samuel Liddell Macgregor Mathers. Lord Lytton (Sir Edward Bulwher?Lytton, author of "Zanoni") and Eliphas Levi were both awarded
Honorary membership, but there is no evidence they ever attended SRIA meetings.
The SRIA worked nine grades in total: four learning grades,
three Teaching grades,
? Adeptus Minor
? Adeptus Major
? Adeptus Exemptus
and two Ruling Grades,
? Magister Templi
Of these, the first seven were the only ones that could usually be attained: however, unlike the Golden Dawn, the SRIA made no pretence that Magistri Templi and Magi were mysterious praeterhuman "Secret Chiefs".
The SRIA proved to be popular enough that Masons in America wanted to set up their own branch. This they did - getting a charter from the English order, to found the "Societas Rosicrucianis in Civitatibus Federatis" i.e. the Rosicrucian Society in the United States. It is from this "SRICF" that the following Rituals derive - they date from around the year 1880. As for these first four rituals themselves - one can make the following observations. They are
strikingly different from the Golden Dawn ceremonies for the equivalent grades. Clearly whoever wrote the Golden Dawn Cipher Manuscripts was not deriving them on the SRIA. The ceremonies tell a four part story concerning a member of the original order, Frater Gualdi. Hard at work trying to find the Elixir Vitae, he rang the ceremonial bell in the middle of the night - which announced his success. However, when the other Brethren reached him, he was lying on the floor, apparently dead. The Brethren tried to discover his last secret by consulting the working papers that lay on the bench... The Initiate is therefore put into the role of a Brother trying to piece together Gualdi's discovery, by investigating Alchemy, Astrology and Astronomy, etc. At the climax of the Philosophus ceremony, the Initiate sees Gualdi return to life - the hymn which is sung at this point giving some telling clues Rituals of the Societas Rosicrucianis in Anglia as to the real nature of the "Elixir Vitae"
"Anonymous" of course means "without a name" and is used when the author is not known--or sometimes, when a story develops out of an oral tradition over generations with possibly many storytellers contributing to and revising the tale before it is finally written down and becomes literature.
A notable amount of ancient and medieval literature is anonymous. This is not only due to the lack of documents from a period, but also due to an interpretation of the author's role that differs considerably from the romantic interpretation of the term in use today. Ancient and Medieval authors were often overawed by the classical writers and the Church Fathers and tended to re-tell and embellish stories they had heard or read rather than invent new stories. And even when they did, they often claimed to be handing down something from an auctor instead. From this point of view, the names of the individual authors seemed much less important, and therefore many important works were never attributed to any specific person.