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Anonymous - Vedic Experience (3.5 MB)
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VEDIC EXPERIENCE Dedicated To His Holiness Maharshi Mahesh Yogi, The Guiding Light of the Discovery of Veda and the Vedic Literature.The Vedas are mankind's oldest scriptures considered by Hindus to be a direct revelation of God. One of the finest translations to the English Language is done by Professor Raimon Pannikar, who now lives in a small mountain village in Spain. Himalayan Academy has been commissioned to publish his 1000-page anthology of the Vedic Experience in a special edition in the West, while Motilal Banarsid... More >>>Book can be downloaded, and can be ordered on CD.Note that, unfortunately, not all my books can be downloaded or ordered on CD due to the restrictions of copyright. However, most of the books on this site do not have copyright restrictions. If you find any copyright violation, please contact me at email@example.com. I am very attentive to the issue of copyright and try to avoid any violations, but on the other hand to help all fans of magic to get access to information.
VEDIC EXPERIENCE Dedicated To His Holiness Maharshi Mahesh Yogi, The Guiding Light of the Discovery of Veda and the Vedic Literature.
The Vedas are mankind's oldest scriptures considered by Hindus to be a direct revelation of God. One of the finest translations to the English Language is done by Professor Raimon Pannikar, who now lives in a small mountain village in Spain. Himalayan Academy has been commissioned to publish his 1000-page anthology of the Vedic Experience in a special edition in the West, while Motilal Banarsidas has produced the Indian edition. In July of 1995 Professor Pannikar gave permission for these Vedic verses to be published on the World Wide Web. Finally we have all the seven parts of Vedic Experience on line. In the future we will make it more user freindly with its footnotes.
What would you save from a blazing house? A precious, irreplaceable manuscript containing a message of salvation for mankind, or a little group of people menaced by the
same fire? The situation is real and not for this writer alone: How can you be just an "intellectual," concerned with truth, or just a "spiritual," busy with goodness, when Men desperately cry for food and justice? How can you follow a contemplative, philosophical, or even religious path when the world shouts for action, engagement, and politics? And, conversely, how can you agitate for a better world or for the necessary revolution when what is most needed is serene insight and right evaluation? That the burning house is not my private property should be clear to all my neighbors on this earth of ours. But to speak about myself alone: this anthology is the product of an existential overcoming of my concrete situation by denying the ultimate validity of such a dilemma. If I am not ready to save the manuscript from the fire, that is, if I do not take my intellectual vocation seriously, putting it before everything else even at the risk of appearing inhuman, then I am also incapable of helping people in more concrete and proximate ways. Conversely, if I am not alert and ready to save people from a conflagration, that is to say, if I do not take my spiritual calling in all earnestness, sacrificing to it all else, even my own life, then I shall be unable to help in rescuing the manuscript. If I do not involve myself in the concrete issues of my time, and if I do not open my house to all the winds of the world, then anything I may produce from an ivory tower will be barren and cursed. Yet if I do not shut doors and windows in order to concentrate on this work, then I will not be able to offer anything of value to my neighbors.
"Anonymous" of course means "without a name" and is used when the author is not known--or sometimes, when a story develops out of an oral tradition over generations with possibly many storytellers contributing to and revising the tale before it is finally written down and becomes literature.
A notable amount of ancient and medieval literature is anonymous. This is not only due to the lack of documents from a period, but also due to an interpretation of the author's role that differs considerably from the romantic interpretation of the term in use today. Ancient and Medieval authors were often overawed by the classical writers and the Church Fathers and tended to re-tell and embellish stories they had heard or read rather than invent new stories. And even when they did, they often claimed to be handing down something from an auctor instead. From this point of view, the names of the individual authors seemed much less important, and therefore many important works were never attributed to any specific person.